I'm just a fellow writer who is right in your shoes, muddling through as best as I can, and chronicling what I learn on the way. Comments and feedback are appreciated and encouraged. Interested in guest blogging or swapping links? Email me at carrieeckles@gmail.com.
Showing posts with label story planning. Show all posts
Showing posts with label story planning. Show all posts

Wednesday, June 19, 2013

Why index cards are amazeballs and how to use them when plotting your story

As a writer of many years, I've tried countless ways of planning novels or saving ideas. But, for me at least, I need something simple that allows me to do both at once. That is where index cards come in.

Ideas

Have you ever had a random idea for a story and needed place to jot it down? Maybe you're at a hotel in the city having lunch? That's easy—you just use a napkin. Or perhaps you are in eighth grade algebra class? Then you obviously use those pastel gel pens I'm not even sure they sell anymore to write your idea on your wrist, elbow, forehead—any bodily surface, really.

And of course these tried and true methods work in a pinch, but there is definitely a more organized, less crazy-looks-inducing way to go about it: index cards.

Whenever you get a random idea, write it down on the index card and put it in your story's file. Or, if you're not sure where the idea fits, or if it even fits in your story at all, file it under “miscellaneous”. Index cards are a great place to put ideas that may not have an obvious home at the moment. And a good idea is a terrible thing to waste, so whatever you do, don’t waste it. Write it down and save it for later—you will eventually find a use for it.

Planning your novel

I will have more to say later about planning a novel in general, but, for the moment: index cards.

Index cards are perfect for planning your chapters. Simply scrawl a quick synopsis for each chapter and voila! Instant outline. And with index cards, it's pretty amazingly easy to rearrange the order of chapters. Have you recently decided that Peggy Sue running away with Jerry Lee in chapter six is just too soon? Back that plot point up to a later chapter and you're done. Easy peasy, no?

Advanced index card usage

Index cards don't just end with chapters. You can do so much more. For instance, you can use them to plot scenes within chapters. Sometimes a more detailed look at plotting is necessary. Simply lay out the index cards in a grid pattern like so...

(Yeah, I actually drew this on my iPad with mine own fingers.)

And tada! Isn't that pretty? (Did I forget to mention index cards conventionally come in many colors, and that can be useful for further organization and general color-coding obsessiveness?)

You can use the same grid system for plotting character arcs. It's pretty nifty.

How I roll: My favorite index card app

What is it called, you ask? Simply "Index Card". It’s awesome and available in the App Store. I have made many a long car ride productive by plotting out my stories with this app. And Index Card also gives me the ability to kick my index card usage up a notch.

My favorite feature—because I love organization when it comes to novel-plotting, keeping track of ideas, etc—is the "stack" feature. For instance, I can group each scene from chapter one together in a stack and call it "Chapter 1". Likewise, I can do the same with character lists. That way, I can file all of my character bios under "Characters" and they aren't clogging up the whole interface.

And the fun doesn't end there. It has three different modes of viewing: the traditional index card stacking system I mentioned, a summarized list and another index card view that is something more akin to the above grid system, which is especially helpful when you want to see your whole project at a glance.

The app is simply more practical to me than traditional index cards. It's a small one-time purchase and it pays for itself time and again in the money you save from buying traditional paper cards. Not to mention, your living room floor doesn't end up covered with the entire plot to your epic fantasy novel.

God, I am the best sales girl they ever had—not just the good people at Index Card, but also the various traditional index card makers. I just can't sing the praises enough of this system, and I probably will again before all is said and done.

And there it is: your technical, logistical post from me. Maybe we'll do something more creative next time. Until them, mes amis.

Tuesday, June 11, 2013

I always want things to happen too soon

Do you even know what I mean by that? Of course you do. You're a writer. You've experienced the extremes of writerness, where your mind isn't your mind anymore, but a deranged entity held captive by your characters and story.

(For the scribes, it was the repetition that led to madness. Thousands of copies of the Canterbury Tales. In Middle English. Think about it.)

Why do I want things to happen too soon? Mainly, it's because I'm totally in love with my characters. And instead of being a grownup about things, I start shipping them with each other (if I'm working on a romantic arc), or I really want this badass moment to happen, because it's finally time that So'n'So gets her vengeance on Whatshername because shit got real awhile ago and they need to hash that out. 

My grandmother always says that part of emotional maturity is putting what is right ahead of personal gratification. For instance, you may really want a chocolate chip cookie. But you have a cavity and that sugar is going to crawl into that little tooth hole and make you scream if you eat it. The mature thing to do would be to put the cookie on hold, get your tooth fixed, and indulge later.

But it's haarrrrd. Especially when it comes to the fictional worlds we create in our minds. I really just want So'n'So to tell Jerkface how she really feels. And that urge leads me to try to rush to that part of the story. 

And that's not right. Especially when there are things--important things--that need to happen in between. Like, you can't just start your story with So'n'So meeting Jerkface and then all the sudden jump to her calling him out. No, there has to be a reason she calls him out for starters, and maybe some other things building up to that moment. And the anticipation is part of the fun, right? Or, at least it is when we're reading.

But for some reason, when writing, I just want to get to THAT part. I think I've become a fangirl for my own work. Like, I am shipping my characters way harder than Ten x Rose or Eleven x Clara or Petyr x Sansa. (Yes, that last one was a creepyship. Get over it.) 

And I don't think it's wrong to do that, as a writer. As a writer, I think it's important to have these juicy, sweet, spicy scenes in mind, letting them ferment and develop in your head. It makes them that much richer when you actually do write them.

I'm not always a writer who writes chronologically. For someone who doesn't really care about writing chronologically, it really doesn't matter. You could write the ending last, for all you care, and I suppose many do. But, I have to say, the majority of my stuff is written chronologically and that's how I get into this predicament. 

So, I've hit a compromise: I map out the gloriously delicious scene with index cards or bullet points--whatever. And then I go back to writing everything else in the order as I planned. (More on planning later.)

And there you have the my temptation: I always want to skip ahead. And doing so can hurt your writing--especially when the in-between bits actually matter, as they so often do. 

So, what about you? Have you ever had a problem with this? What do you do to remedy it? Or do you even try? Let me know what you think in the comments.